Comus Edition Sheet music online
 
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119sBrandenburg Concerto 6JS Bach 
 Outer cover of item Brandenburg Concerto 62 Violas, 2 Scordatura Violas, Cello, Continuoarranged by Andrew Filmer
  

This new edition of the 6th Concerto with scordatura violas in lieu of the less frequently available viole da gamba has been edited and arranged by the New Zealand doctoral scholar and violist, Andrew Filmer. He has provided an extensive commentary to accompany the score and makes a persuasive case for the use of scordatura violas in chamber performances of this work.

A full score with set of parts is available for hire.

Click to see Filmer's commentary and a performance of the piece

  
    
  ISMN M708027-49-2Cat.no.119sStudy score£12.50  
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006bGirl on a Beach under a SunshadePaul Carr 
 Outer cover of item Girl on a Beach under a SunshadeBassoon and small orchestra   
  

A short piece (after a pencil sketch) for bassoon and small orchestra.

Scored for Flute, Clarinet in A, Horn in F, Solo Bassoon, Harp, and strings (5,5,4,3,2).

Duration c.6 mins.

  
    
    Full score (210x297)£13.20  
    Set of 24 parts£18.60  
  ISMN M708017-96-7Cat.no.006bScore and parts£29.00  
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064bConcerto for Trumpet ‐ alla Veneziana, Op.93Arthur Butterworth 
 Outer cover of item Concerto for Trumpet ‐ alla Veneziana, Op.93Trumpet and orchestra   
  

This is the composer's orchestral version of the concerto commissioned by the National Youth Brass Band of Great Britain in commemoration of its 40th Anniversary in 1992. Scored for trumpet and full orchestra.

The score and parts are available for hire.

Duration c.21 minutes.

  
    
    Full score (210x297)£32.00  
  ISMN M708017-74-5Cat.no.064bParts for hirep.o.a  
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072Concerto for Guitar, Op.109Arthur Butterworth 
 Outer cover of item Concerto for Guitar, Op.109Guitar and orchestra   
  

The Guitar Concerto was completed in April, 2000 and first performed later that year by Craig Ogden and the Leeds Symphony Orchestra conducted by Martin Binks. The work is scored for a large orchestra with a large array of percussion, glockenspiel, harp and celeste.

Unlike the Nordic aspect of much of Butterworth's music, this concerto is unmistakably Mediterranean in outlook with moments of brooding intensity and sorrow reflecting Spain as clearly as Italy in his Italian Journey and Concerto alla Veneziana.

The score and parts are available for hire.

Duration c.24 minutes.

  
    
    Full score (245x330)£34.00  
  ISMN M708027-72-0Cat.no.072Parts for hirep.o.a  
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085Concerto for Viola, Op.82Arthur Butterworth 
 Outer cover of item Concerto for Viola, Op.82Viola and orchestra   
  

Butterworth completed the work in 1992 and it was first performed by Peter Lale (Vla) with the BBC Philharmonic conducted by Jason Lai to mark the composer's 70th birthday.

The concerto has been recorded by Sarah-Jane Bradley with the Royal Scottish National Orchestra conducted by the composer.

The score and parts are available for hire.

Duration c.37 minutes.

  
    
    Full score (245x330)£33.50  
  ISMN M708027-85-0Cat.no.085Parts for hirep.o.a  
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117Symphony No.4, Op.72Arthur Butterworth 
 Outer cover of item Symphony No.4, Op.72Full orchestra   
  

Although one might perhaps discern veiled hints of the great Scandinavian composer Carl Nielsen in the first movement of this symphony it was initially contemplated in Yorkshire and the borders of County Durham in late autumn - bright, but cold November days with frost at night. The second movement - a scherzo - recalls the composer’s war-time experiences: early field exercises and training in the north, the land of Shakespeare’s “Macbeth” which had so fascinated him in school days. There follows a contemplative slow movement and the last movement, like the frenzied finale of the First Symphony is a moto perpetuo.

Recorded by Dutton Epoch CDLX 7212

Duration c.42 minutes.

  
    
    Full score (245x330)p.o.a  
  ISMN M708027-54-6Cat.no.117Parts for hirep.o.a  
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079Symphony No.5, Op.115Arthur Butterworth 
 Outer cover of item Symphony No.5, Op.115Full orchestra   
  

The Fifth Symphony was composed as Butterworth approached his 80th year. It is essentially a contemplative and reflective work, more purely classical and restrained than the previous four symphonies, although sharing an emotional affinity with the third, 'Sinfonia Borealis' of 1979. Unlike the first, second and fourth, where the multifarious timbres of a large orchestra are exploited, this symphony takes more account of line and shape than of colour. Except for harp and some modest percussion, the scoring calls for quite slender resources and a sense of clarity prevails.

Duration c.27 minutes.

  
    
    Full score (245x330)p.o.a  
    Study Sc. (190x270)p.o.a  
  ISMN M708027-44-7Cat.no.079Parts for hirep.o.a  
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104Symphony No.6, Op.124Arthur Butterworth 
 Outer cover of item Symphony No.6, Op.124Full orchestra   
  

The Symphony was completed in 2006 and premiered at the St Petersburg British Music Festival in 2009 by the St. Petersburg State Academic Capella Orchestra conducted by Matthew Taylor.

Duration c.26 minutes.

  
    
    Full score (245x330)p.o.a  
    Study sc. (190x270)p.o.a  
  ISMN M708027-23-2Cat.no.104Parts for hirep.o.a  
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140Symphony No.7, Op.140Arthur Butterworth 
 Outer cover of item Symphony No.7, Op.140Full orchestra   
  

The Seventh Symphony was completed in 2010 and premiered on 28 February 2012 by the Huddersfield Philharmonic Orchestra conducted by Nicholas Smith.

Duration c.17‐18 minutes.

  
    
    Full scorep.o.a  
  ISMN M708027-50-8Cat.no.140Parts for hirep.o.a  
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121Coruscations, Op.127Arthur Butterworth 
 Outer cover of item Coruscations, Op.127Full orchestra   
  

This short piece was written in 2006 for the Lancaster based Haffner Orchestra with whom the composer had appeared on a number of occasions as guest conductor. The music was inspired by the view from the high moorland overlooking Morecambe Bay towards the distant hills of the Lake District on a midsummer evening.

Recorded by Dutton Epoch CDLX 7253

Duration c.6‐7 minutes.

  
    
    Full score (245x330)p.o.a  
  ISMN M708027-39-3Cat.no.121Parts for hirep.o.a  
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186Grey Moorland, Op.134Arthur Butterworth 
 Outer cover of item Grey Moorland, Op.134Full orchestra   
  

Throughout his creative life Arthur Butterworth lived in the North of England and much of the music he wrote was first brought to life there by the many local musicians and orchestras. This brisk concert march was composed in 2008 for the Settle Orchestra with whom the composer had a long association. In June 2017 they celebrated 50 years as a community orchestra including Grey Moorland in their anniversary concert.

Duration c.8‐9 minutes.

  
    
    Study score (190x270)£13.20  
    Full score (245x330)p.o.a  
  ISMN M708027-65-2Cat.no.186Parts for hirep.o.a  
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148Elegy for Diana, Op.143Arthur Butterworth 
 Outer cover of item Elegy for Diana, Op.143String orchestra   
  

In the early 1950's Butterworth was a trumpet player with the Royal Scottish National Orchestra when he met and married Diana Stewart. He had yet to make his name as a composer. It was when he then joined the Halle Orchestra that Sir John Barbirolli's encouragement resulted in the premiere of his first Symphony at the Cheltenham Festival. This performance in 1955 established Butterworth as a significant British symphonist. The Symphony is dedicated to Diana.

The 'Elegy for Diana' is a short work for strings and one of the composer's last completed works. A slow yearning introduction leads to a Passacaglia, a musical form which perhaps references his admiration for the music of Brahms, one of his earliest musical influences. Butterworth's own comment about the work ‐ "This Elegy, unlike the flamboyant Symphony for large orchestra, is but a short expression of farewell."

Duration c.8‐9 minutes.

  
    
    Score (6pp. 245x330)£5.00  
  ISMN M708017-78-3Cat.no.148Parts for hirep.o.a  
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147Tarka, Op.142Arthur Butterworth 
 Outer cover of item Tarka, Op.142Caprice for small ensemble   
  

'Tarka' was composed in 2013 and premiered by the Manchester Chamber Ensemble conducted by Richard Howarth at the Ilkley Concert Club David Pyett Celebration Concert given at the King's Hall, Ilkley on 2 October 2013.

The programme also included the original version of Copland's 'Appalachian Spring' and Butterworth chose the same instrumentation for his own work.

A full score with set of parts is available for hire. Please contact us about an inspection score.

Flute, Clarinet, Bassoon, Violin I (2 players), Violin II (2 players), Viola (2 players), Cello (2 players), Double Bass, Piano

Duration c.11‐12 minutes.

  
    
  ISMN M708017-68-4Cat.no.147Score/parts hire£20.00  
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025bOccasional PostcardsPaul Carr 
 Outer cover of item Occasional PostcardsWind Quintet and string orchestra   
  

Five colourful and evocative pieces - 'Through Crowded Streets', 'Bicycles in Summer Rain', 'Boys on the Beach', 'Summer Evening' and 'Tuscan Diary'. The work was written for the Sussex Symphony Orchestra who have recorded it for Claudio Records (CC4833-2).

Scored for string orchestra (3,3,2,2,1) and wind quintet (flute, oboe, clarinet – optionally doubling alto saxophone, horn and bassoon).

Total duration c.14 mins

  
    
  ISMN M708017-75-2Cat.no.025bScore and 16 partsp.o.a  
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071Concerto for Two SaxophonesPaul Carr 
 Outer cover of item Concerto for Two SaxophonesSolo Soprano and Alto Saxophones and orchestra   
  

A tuneful and engaging work in three movements, scored for solo soprano and alto saxophones with double wind (omitting clarinets), two trumpets, two horns and strings (3,3,2,2,1), and with optional percussion and a few added notes on the tuba.

The concerto, together with other works of Paul Carr, has been recorded by the Sussex Symphony Orchestra on the CD "Crowded Streets", Claudio Records (CC4833-2).

The full score and the parts are available for hire.

Total duration c.18 minutes

  
    
  ISMN M708017-71-4Cat.no.071Scorep.o.a  
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091Another OrpheusJohn Hawkins 
 Outer cover of item Another OrpheusString Orchestra   
  

'Another Orpheus sings again, and loves and weeps and dies' – Shelley, 'Hellas'

Composed in 1993 and revised in 2014, Another Orpheus is a dramatic single movement for strings with obligato viola solos.

Duration c.9 minutes.

  
    
    Full score£10.60  
  ISMN M708027-91-1Cat.no.091Sc. & parts for hirep.o.a  
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112aUrizen for Viola and String OrchestraJohn Hawkins 
 Outer cover of item Urizen for Viola and String OrchestraViola and String Orchestra   
  

A single movement work inspired by William Blake's prophetic book. Composed in 1983 for Paul Silverthorne, it was later scored by the composer for viola and string orchestra (Vla + 4,4,3,3,2), and there is also a version for viola and chamber orchestra (Strings with alto flute, oboe, clarinet, bass clarinet and 2 horns). Digital inspection scores are available. Please contact us for more information.

Duration c.9 minutes.

  
    
  ISMN M708027-22-5Cat.no.112aFull scorep.o.a  
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076Concerto for Trumpet and Strings, Op.24Kevin Hill 
 Outer cover of item Concerto for Trumpet and Strings, Op.24Trumpet and String Orchestra   
  

An approachable work in three movements. Well worth your consideration.

Duration c.27 minutes.

  
    
    Full scorep.o.a  
    Study score£15.95  
    Parts for hirep.o.a  
  ISMN M708027-76-8Cat.no.076Piano reduction£15.95  
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127Viola Concerto in DFA Hoffmeister 
 Outer cover of item Viola Concerto in DViola and Orchestra   
  

Scored for a standard classical orchestra, the concerto consist of the usual three movements, Allegro, an expressive Adagio and a Rondo. The work has been edited by Christopher Wellington who has provided cadenzas – one in the first movement and two in the last; they are technically a little harder than the concerto itself.

Set of parts for 2 oboes, 2 horns, solo viola and strings (5,5,4,4). Extra parts available if required.

  
    
    Full score£29.95  
    Study score£12.95  
    Parts (also for hire)£42.50  
  ISMN M708017-60-8Cat.no.127Piano reduction£11.50  
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